-30- Interview w/ Leigh Mackow

        by Samuel Proof

(click on the thumbnails to see Leighs work.)** if you're browser does not support JavaScript Click Here

the actual work is 28" x 32" but that measurement includes a 3 inch mat on the top and sides and a 3.5 inch mat on the bottom

Comments?

talk about the interview
(click here)

 

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Leigh Mackow was born in Reading, PA. In 1994 she came to Millersville
University to pursue an education in art, later focusing her studies on
graphic design. Leigh received her Bachelors degree in May 1999 and took a position as an artist in residence at the university. She also works as a
freelance graphic designer and hopes to return to school to pursue a Masters degree.

Dash: What is your primary medium?

LM: My primary medium is the computer. I enjoy the freedom it allows me. Many times I start by using other mediums but they all come together in Photoshop.

Dash: How did you come across the method for creating your art?

LM: I actually came across the method that I used to create this last series completely by accident. I was experimenting with various forms of alternative presentation. A friend suggested that I try using acetone on the Plexiglas. That turned out to be the key and after some trial and error I came upon what you're seeing now.

Dash: Your art is very "self" oriented or "self aware". Has this changed the way you view or feel about yourself?

LM: For years I have felt as if I have always been focusing my energies on or for other people. This is the first time in a number of years where I can really just focus on myself. This body of work is about healing-healing my mind, body and soul.

Dash: What other influences do you find prominent in your art?

LM: My art is very personal and narrative. Everything around me impacts the work I do so it is hard for me to pinpoint specifically what my influences are.

Dash: From conception to completion, how long does it take for you to run through the process of creating a piece of work?

LM: It can take me anywhere from a week to a month to complete a piece or a series. Things like the amount of free time (since making art is not a full time job for me), money, equipment availability and personal motivation all play a role in getting the work started and finished.

Dash: As there are several steps to the production of each piece, do you find yourself going through your own steps in the concept of who your are?

LM: Not excessively. Usually when the time for the production of the actual piece comes around all that has been thought through and considered. That's not to say that my concepts don't change sometimes with each step in the process, but for the most part I reflect on those feelings during the time in which I develop the concept.

Dash: There seems to be a dichotomy within both the process and creation itself. There are very technical aspects, like the titles and certain steps in the creation, as well as many "free and creative" aspects. Do you find this balance in many other things that you do?

LM: I find this balance throughout everything I do. I am very detail oriented about certain things and other times very lax. I prefer a healthy dose of both...it keeps me sane!

Dash: Do you find a major difference in the work you do on your own time and the work you do as a graphic designer?


LM: Yes, one is usually accompanied by a lot more stress. Don't get me wrong, there's nothing I appreciate more than good graphic design but it is sometimes a little constraining. Whereas with my art, I am free to express myself in whichever way I please.

Dash: Do they fulfill different aspects in your life?

LM: Art provides me with an outlet. I find that making art is very cathartic for me. Making art helps me to focus my energy and allows me to slow down and think about things that are going on in my life.

Dash: How would you describe your work habits?

LM: I work in bursts. I'll get this idea for a series, something I am really excited about, and then devote all my energy to the project. I'll admit that sometimes I'll become so focused that things like food and sleep, etc. become secondary concerns. I am exhausted when I am finally done with a series of work and need " recovery time". I know people who can just produce one good piece after another. They never need down time. I envy them.

I also try to think a project through before I begin. I'll work with smaller versions if I have technique or material concerns. That way if my original idea needs to be modified it can be done at the beginning of the process.

Dash: Do you have any personal favorite artists or pieces of art?

LM: I enjoy the work of Barbara Kruger. Her work is clean, direct, her images-dynamic and in your face. I also like Annette Messager's work because they are much more intimate and draw the audience in to interact.

Dash: How do you feel computer have changed the way art is perceived?

LM: (On digital art) Every other art form and process seems to have found a niche. We have this new medium, the computer, and new art and I don't really think that anybody knows what to do with it yet. Some collectors are concerned b/c it can be reproduced (if the artist allows it). It is not seen as "handwork" which seems to make it less valuable. This causes a dilemma in my mind because I work as hard as any other artist but still don't receive the same kind of respect. But hey what can I do? This is what I do. I just keep my fingers crossed and hope that things change in that regard.

Dash: Could you give us a quick comment on each peice, or the series itself?

LM: A comment on a single piece is a little tough but I can say that this series has been very mind opening and thought provoking. I have received a great deal of feedback and am always happy to hear more. Send me comments or questions at leighmackow@hotmail.com.
Thanks!

 

Artist Statement

My work refers to my continual attempt to come to terms with who "I" am. My images are about accepting all parts of myself unconditionally and without judgement. My work is prompted by my constant attempt to make sure that my values and beliefs are truthful to me rather than something I have blindly accepted as fact because of the popular media.

This particular work was created in several steps. I began by filming myself with a camcorder and playing the video tape through a computer. While playing the tape I captured stills from the footage. Working with Adobe Photoshop I manipulated the color and composition. Finally, I made prints of the images on acetate and layered them between small pieces of plexiglass.
The edges of the plexi were sealed with acetone. The final image that you see is a scan of the images as they appear sandwiched between the plaxi.

 

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